shift, as necessary
The southeast quarter boasted high hills, every tree that blossoms in spring, and a particular lovely lake; and in the near garden, before the house, he took care to plant not only five-needled pines, red plums, cherry trees, wisteria, kerria roses, and rock azaleas, all of which are at their best in spring, but also, here and there, discreet touches of autumn. In [the southwest] quarter he planted the hill already there with trees certain to glow in rich autumn colors, turned springs into clear streams, added rocks to the brook to deepen its voice, and contrived a waterfall, while on the broad expanse of his new-laid meadow, flowers bloomed in all the profusion of the season. The result was an autumn to put to shame the moors and mountains of Saga and Ōi. The northeast quarter, with its cool spring, favoured summer shade. Chinese bamboo grew in the near garden, to freshen the breeze; tall groves offered welcoming depths of shade, as in a mountain village; the hedge was of flowering deutzia; and among the plantings of orange, fragrant with the past, of pinks and roses and peonies, there also grew spring and autumn flowers. The east hedge of this quarter was divided off into a riding ground with a pavilion and surrounded by a woven fence. Sweet flag had been induced to grow thickly beside the water, for the games of the fifth month, and the nearby stables housed the most superb horses. The northwest quarter’s northern sector was given over to rows of storehouses. Along the dividing fence grew a dense stand of pines intended to show off the beauty of snow. There was a fence entwined with chrysanthemums to gather the morning frosts of early winter, a grove of deep-hued oaks, and a scattering of nameless trees transplanted from the fastnesses of the mountains.”
Murasaki Shikibu, Genji Monogatari [The Tale of Genji], circa 1007-1008









